In the particular set I’m producing, the choir sings everything from the response “O Lord make haste to help us” to the end of “Praise ye the Lord.”, which is normally the final versicle of the Preces and followed by the final response, “The Lord’s name be praised.”, which is omitted in this setting. Here are the flows you need to create, along with what I chose to call them. I prefer to create them all at the outset, as then you can select every other flow to exclude the cantor, and then select the other flows to exclude the other singers. You can create all the flows at the start, or you can create them as you go. Only the Cantor player will be assigned to each versicle flow, while the Soprano, Alto, Tenor, and Bass players will be assigned to each response flow (but not the Cantor). Dorico will automatically number the altos as Alto 1 and Alto 2, though it doesn’t really matter as we will only show the names once, at the beginning of the project, and we won’t use Dorico’s automatic staff labeling at all: so open Layout Options, go to Staves and Systems, and set Staff labels on first system and Staff labels on subsequent systems to None.Įach versicle (the cantor’s music) and each response (the choir’s music) will be in separate flows. You can rename the Baritone player to Cantor if you like, though this isn’t necessary, but it might help keep things straight as you work. Start a new empty project, and add six players: Baritone, Soprano, Alto, Alto, Tenor, and Bass. If you want to follow along exactly, you could use Sjouke Bruining’s edition on CPDL as a source: this edition uses the original note values, but I am going to halve the note values in my performing edition, as this reflects modern practice more closely. I will be including Stone’s setting of the Lord’s Prayer in my performing edition. The Smith Responses are often sung with a setting of the Lord’s Prayer written by Robert Stone, since Smith’s setting includes only a simple chanted version. The particular set of Responses I am going to produce is by William Smith, an English composer from the first half of the 17th century. #HIDE EMPTY STAVES DORICO SERIES#They make an interesting case study for Dorico because they consist of a series of short versicles sung by a cantor, each one followed by a response sung by the choir, and this is an ideal fit both for Dorico’s multi-flow and page layout features. The Preces and Responses are part of the choral evensong service in the Church of England and in Episcopal and Anglican churches around the world. In this post I’m going to share the procedure to put together a performing edition of a set of Preces and Responses, based on the text of the Book of Common Prayer.
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